ACC 169 Articulation Control Console

ACC 169 Articulation Control Console

Positive Feedback Writers' Choice Award - ACC 169 Articulation Console

"If your systems components and speakers are worthy of the best interface, then the MIT ACC169 will take you places musically you would not have though possible."

"...qualities of speed, resolution and the ability to render tonal color, texture, impact and the sheer weight and presence of the real thing, these products are really components that are as important to achieving sonic realism as any other element in the system."

Positive Feedback Online

Dave Clark, Editor

Read more here: Positive Feedback Writers' Choice Award - ACC 169


Positive Feedback Writers' ACC 169 Articulation Console Review

"The soundstage conjured by the MIT really pushed the limits of the Sonus Faber Lilium loudspeakers, feeling limitless."

"Acoustic instruments are extremely well served by the MIT."

"...offers up a level of sheer tactile realism, unable to be reached with prior cable looms I've auditioned, with timbre and texture that is spot on."

Positive Feedback Online

Gregory Petan, Positive Feedback

Read more here: Positive Feedback ACC 169 Articulation Console Review by Gregory Petan


ACC 268 Articulation Console Speaker Interface
The moniker Note Perfect was chosen by Bruce Brisson to represent MIT product or products that meet or exceed his best expectations. Look for this symbol of excellence when working on systems that are intended to return performance without peer.

The ACC 169 and 173BW are the first of the three performance levels, suited to any high resolution speaker that is dynamic and well powered. The unique enclosure is designed to allow the large Music Hose® to couple with the face, or dashboard end of the enclosure, while the output tails exit the opposite end nearest the binding posts of the speaker. This allows easy access to the ACC controls for swift and accurate setup. There are 169 Poles of Articulation inside at work preserving a delicate and complex musical signal. At the same time it is storing and delivering reserve power to the driver complement, whenever additional energy is required by the audio signal. When either the ACC 169 or 173BW interfaces are installed in a top-tier system, a musical presentation will seem faster and begin to “pop” and “hang in space”, while remaining articulate and “easy” or “open sounding” in detail.

ACC Design considerations:
working quietly for a lifetime

The stylish CNC milled solid billet aluminum enclosure used for the ACC 268 is the largest MIT has ever produced. This is warranted both by the size of the internal parts as well as “proximity sensitivities” that must be considered as the parts are located. Articulation control consoles include several new anti-resonance schemes, including internal surface alignments and new methods of isolation.

Machined enclosures:
technology and performance

The internal parts of each ACC interface are primarily handmade and require about 200 hours of labor to complete. Each component is meticulously matched, piece by piece. every part is positioned and hand soldered in place. The complexity and number of networks involved require more internal space and insulation from vibration. This is managed by mounting and isolating the network assemblies on an internal plinth, eliminating sympathetic resonances that can affect playback. The result is imaging of unprecedented clarity and dimension.

ACC - Articulation Control Console brochure Read more about ACC Series and the patented technologies Bruce Brisson has developed over the last 35 years. Including 2C3D - engineered to create a believable three dimensional soundstage from a two channel system; FAT - Fractional Articulation Technology which works to optimize and maintain the harmonic structure within the octaves; JFA II-Jitter Free Analog II - preserves an accurate, stable music signal; and SIT–Stable Image Technology.

Click to download the MIT Cables ACC Series-Articulation Control Center brochure - (large 5MB PDF download)

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